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The discomfort of this performance (Nude on Cabinet) does not necessarily lie with the potentially erotic, sexualised use of a naked woman’s body, or the relationship between her exposed flesh and the loops of razor wire nests creeping up the edges of her cold cabinet recliner. It can be argued that the unease of the piece has to do with the raw, intimate and vulnerable distance between performer and audience. The use of the attic enforces this intimacy. It is impossible to see the performance without actually entering the tiny angled room (the attic) – a cramped space shared with the camera operator, a photographer and no more than ten or twelve additional spectators at any given time during the performance. In a space as small as this there is a sense of risk not only for the performer, but also for the observer (the audience). The observer has no guidelines, no anonymity, no ‘unwritten’ rules about how to ‘look’ or how to behave within the space – there is no place to hide”.
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