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The cast of characters includes one of the film industry’s preeminent power brokers, who got squeamish over the sex scenes and generally raunchy subject matter of the movie; a gay film director who was still in the closet even while he sought to make a movie that dealt openly and frankly with sexuality, straight and gay; a politically connected former aide to President Lyndon Johnson who tried to steer the motion picture industry around the shoals of controversy; and a clever psychoanalyst with a passion for power who provided the phony rationale that allowed the studio head to do exactly what he wanted to do.
Hollywood was even more squeamish when it came to homosexuality. Even the word itself was prohibited on the screen. Still, just as other adult themes started to seep into mainstream American films, homosexuality took its first baby steps out of the closet, but only in films that depicted gay people as depraved, unhappy, and self-destructive. Thus a handsome young senator, played by
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But then Sappho is no ordinary poet. For the better part of three millennia, she has been the subject of furious controversies—about her work, her family life, and, above all, her sexuality. In antiquity, literary critics praised her “sublime” style, even as comic playwrights ridiculed her allegedly loose morals. Legend has it that the early Church burned her works. (“A sex-crazed whore who sings of her own wantonness,” one theologian wrote, just as a scribe was meticulously copying out the lines that Obbink deciphered.) A millennium passed, and Byzantine grammarians were regretting that so little of her poetry had survived. Seven centuries later, Victorian scholars were doing their best to explain away her erotic predilections, while their literary contemporaries, the Decadents and the Aesthetes, seized on her verses for inspiration. Even today, experts can’t agree on whether the poems were performed in private or in public, by soloists or by choruses, or, indeed, whether they were meant to celebrate or to subvert the conventions of love and marriage. The last is a particularly loaded issue, given that, for many readers and scholars, Sappho has been a feminist heroine or a gay role model, or both. “As far as I knew, there was only me and a woman called Sappho,” the critic Judith Butler once remarked.
Romans, like Greeks, tolerated love and sex among men. Two Roman Emperors publicly married men, some had gay lovers themselves, and homosexual prostitution was taxed. However, like the Greeks, passivity and effeminacy were not tolerated, and an adult male freeborn Roman could lose his citizen status if caught performing fellatio or being penetrated.
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Ironically, by targeting and excluding homosexuals, the military encouraged gay service members and those with blue discharges to take on a stronger gay identity, historian
The rhetoric and discrimination surrounding blue discharges – soldiers were expelled, stigmatized and denied benefits – produced an aura of political legitimacy, where struggling soldiers felt emboldened by anti-gay stances. After fighting discrimination, and finding others who shared their sexual orientation, gay and lesbian soldiers came back to the states with a more concrete sense of their identity and new expectations for their civilian lives,
